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dimanche 30 janvier 2011

48 Mind-Blowing Examples of Photo Manipulation Art

1. Karol Kolodzinski

Karol Kolodzinski is a freelance graphic designer who specializes in new media design. His style has earned him some big name clients such as Coca Cola, Ikea, and more. Sound impressive? What if I told you he was only a 20 year old college student in Poland?

2. Jonathan Foerster

Jonathan has been into art from an early age. As a child, he mimicked has father’s actions at the drawing table. Today he is, among other things, a traditional artist, digital artist, and active online gamer. He’s 25 and currently lives in Indiana.

3. Craig Shields

Talk about one talented graphic artist. Craig is not only a master of photo manipulation, but he also has the ability to master a variety of styles. While many artists tend to follow a particular style, Craig’s portfolio is filled with a variety of work from photo manipulation to digital illustration.

4. Justin Maller

Justin is a 25 year old graphic designer who currently lives in Melbourne, Australia. Aside from his personal work, he is also the creative director at depthCORE where he helps do a little bit of everything. You have probably seen some of his work floating around a number of the graphic design blogs.

5. Chris Haines

Here is another amazing digital artist of a very young age. At 19 Chris can probably man-handle Photoshop and Cinema better than most of us. He is no stranger to the online art community. Since the age of 13 he has been making rounds from one online art community to another, finding inspiration and learning new skills along the way.

6. Cristiano Siqueira

Cristiano is a freelancer from Brazil who took the typical route to freelancing by going to college for communication design and then spent a few years in the corporate world. He worked as a graphic design and packaging designer before he went into illustration full-time for himself.

7. Alberto Seveso

If you have spent any time browsing graphic design blogs looking for design inspiration, you have undoubtedly seen some of Alberto’s work. Much of his work has created a number of trends in the design community. His portfolio is one the shouldn’t be missed.

8. Jerico Santander

I have been a fan of Jerico’s portfolio on Behance for a while now. His work is creative, bright, and just plain fun. Jerico is another one of those top photo manipulation artists whose work is constantly floating around the design community websites. Most notably, you may have seen his work on Desktopography. If you want to know what a good photo manipulation portfolio looks like, this is it.

9. Eduardo Rodrigues

Eduardo Rodrigues is a 20 year old artist from Barcelos, Portugal. He is interested in all things design, but tends to focus on digital art and photo manipulation. He is extremely active in the online art communities of Deviant Art and Behance. To connect with him, check out his portfolio link above.

10. David Waters

David Waters is currently studying graphic design at the university of Idaho. While he loves computer art, he is learning about more traditional methods of art and how to use theme in his creative process. David is constantly on the look out for other creatives to work with and learn from so that he can push his design skill to their full potential.

Create a Barcode Sticker in Photoshop

Final Product What You'll Be Creating

In today’s quick tip tutorial you will learn how to create a barcode sticker and a paperboard background texture. Let’s get started!


Step 1

First, we will set up our brush preset for the barcode. Create a new document with a width of 1 px and a height of 100 px. Now pick the paint bucket tool and fill the document with black. Go to Edit > Define Brush Preset, choose a name for your brush and click OK.

Step 2

Create another new document, I chose 600 x 400 px for width and height. Select the brush tool and open the brush preset panel. Scroll down and select the brush preset you just created. Switch to the brush panel, make sure "Brush Tip Shape" is selected on the left-hand side and change the "Spacing" value to about 120 %. (Tip: By changing the spacing value you can determine how close the lines of the barcode will be together) Next, click on "Scattering" just below "Brush Tip Shape" and increase the count jitter value to 100%.

Step 3

Now make sure the foreground color is set to black, and paint from left to right while holding the shift key, which straightens your barcode line automatically. Select the text tool and add some random numbers below the barcode. Press Cmd + T and increase the vertical scale just a little bit.

Step 4

Switch the foreground color to white, pick the rounded rectangle tool with a radius of 4 px and draw a sticker-like shape around the barcode. Drag this shape layer behind the text and the barcode.

Step 5

Double-click on the shape layer and add the following layer styles (leave unmentioned parameters at defaults):
  • Drop Shadow: Opacity: 25%, Distance: 2px, Size: 3px;
  • Bevel and Emboss: settings see image;
  • Gradient Overlay: settings see image;
  • Stroke: Size: 1px, Color: #d6d6d6;

Step 6

Now we are going to create the paperboard texture. Create a new layer, drag it behind the others, and fill it with black. Go to Filter > Noise > Add Noise with an amount of about 65% and check "Monocromatic". Then, make sure that the foreground color is set to white and the background color to black, go to Filter > Sketch > Torn Edges and apply it with the settings as seen on the image below.
Press Cmd + L to access the levels adjustments and drag the left handle of the "Output Levels" to about 115. Press Cmd + U, make sure "Colorize" is checked and apply the following values: Hue: +40, Saturation: +49, Lightness: -39. Then, apply the "Add Noise" filter again with an amount of about 7%. Go to Blur > Gaussian Blur and apply it with a radius of 0.3 px.

Step 7

Create another new layer filled with black, change the foreground and background color to white and black again, and apply the "Add Noise" filter with an amount of 120%, then again the "Torn Edges" filter with the following settings: Image Balance: 1, Smoothness: 11, Contrast: 19. Set the layer’s blending mode to "Screen" and lower the opacity to about 50%. So far, you should have something like the image below.

Step 8

To add a little bit more depth, create another new layer, fill it with white and apply the "Add noise" filter with an amount of about 120%. Go to Filter > Sketch > Bas Relief and apply it with the settings as seen on the image. Set the blending mode to "Overlay" and lower the opacity to 25%.

Conclusion

Congratulations, you are done! I added a simple vignette effect to my final result as you can see here.
Here are some additional examples that I created using this technique.

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